J·S·巴赫 A大调第四号羽管键琴协奏曲 BWV 1055 HN 1383
JOHANN SEBASTIAN BACH
Cembalokonzert Nr. 4 A-dur BWV 1055
Norbert Müllemann (Herausgeber)
Maren Minuth (Herausgeber)
Johannes Umbreit (Klavierauszug)
Michael Schneidt (Fingersatz)
Urtextausgabe, Klavierauszug, broschiert
Zur Aufführung sind zwei Exemplare erforderlich
HN 1383 · ISMN 979-0-2018-1383-7
Bach’s harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument - either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d’amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can’t get more authentic than this!
The piano reduction contains the solo part with carefully chosen fingerings by Michael Schneidt, plus a piano accompaniment that Johannes Umbreit has arranged so as to be practical and easily playable.
巴赫的一些大受欢迎的羽管键琴协奏曲其实都改编自为其他独奏乐器而作的协奏曲——小提琴协奏曲或某种木管乐器协奏曲。但我们并不清楚A大调协奏曲BWV 1055的前身是什么作品。它充满魅力的歌唱性的中间乐章无疑会让人联想到柔音双簧管。另一方面，认为其地道而富有演奏乐趣的羽管键琴部分从一开始就是为键盘乐器而作的，似乎也顺理成章。说到底，这些怀疑都无关紧要，因为谁会放弃这部令人难以抗拒的清新作品呢？A大调协奏曲的亨乐原作版乐谱不仅以作曲家总谱手稿为依据，还额外参考了一些原始单声部分谱，它们据信保留了巴赫当年亲自演奏此作品时的做法。这再权威不过了！
钢琴缩谱的独奏部分配有米歇尔·施耐特精心设计的指法，伴奏部分则由约翰内斯·翁布莱特制作，非常易于演奏。
