Lee, Sebastian 塞巴斯蒂安·李 40首大提琴旋律与进阶练习曲 op. 31 HN 1519
SEBASTIAN LEE
40 Etüden für Violoncello solo op. 31
Annette Oppermann (Herausgeber)
Wolfgang Emanuel Schmidt (Fingersatz, Beratung)
Urtextausgabe, broschiert
HN 1519 · ISMN 979-0-2018-1519-0
The cellist Sebastian Lee from Hamburg was not just the celebrated solo cellist of the Paris Opera, but also wrote numerous compositions for his instrument. In addition to today forgotten salon pieces and divertissements on then popular opera melodies, he also wrote many pedagogical works, some of which accompany every cellist to the present day. These include the 40 melodic and progressive etudes published in Paris in 1843 as op. 31. They live up to their title in that they indeed systematically present various technical aspects of cello playing, while at the same time being wonderfully melodious pieces - this makes learning fun!
As with all the editions of etudes in the catalogue of G. Henle Publishers, this Urtext edition offers not only the composer’s original bowings and fingerings, but also alternatives, as well as further suggestions for study from today’s perspective - in this case from the well-known cellist and pedagogue Wolfgang Emanuel Schmidt.
出身汉堡的大提琴家塞巴斯蒂安·李不仅是巴黎歌剧院备受推崇的演奏家，还为自己的乐器创作过大量作品。他基于时兴的歌剧旋律创作的沙龙作品和嬉游曲如今都已被遗忘，但他还写下了很多练习曲，其中一些至今仍陪伴在大提琴演奏者左右。1843年作为作品第31号出版的《40首旋律与进阶练习曲》就是一例。这部作品的出名之处在于，尽管它系统性地罗列了大提琴演奏的各类技巧，但同时也是演奏起来旋律优美的作品——这让学习过程充满了乐趣！
和G·亨乐出版社的所有练习曲乐谱一样，我们此次出版的原作版乐谱不仅收录了作曲家提供的弓法和指法说明，还提供了替换选项并从当代的视角出发提出了学习方面的更多建议——后者来自于著名的大提琴家、教育家沃尔夫冈·埃曼努埃尔·施密特。
