Mozart 莫扎特 降B大调第27号钢琴协奏曲KV 595 HN 1534
WOLFGANG AMADEUS MOZART
WOLFGANG AMADEUS MOZART
Piano Concerto no. 27 B flat major K. 595
Wolf-Dieter Seiffert (Editor)
Heiko Stralendorff (Piano reduction)
Piotr Anderszewski (Fingering, Cadenza)
Urtext Edition, Piano reduction, paperbound
Two copies needed for performance
HN 1534 · ISMN 979-0-2018-1534-3
The Concerto in Bb major K. 595 is not only Mozart’s very last in the series of very important works for piano and orchestra. It is generally regarded as his most mature, perhaps even his most beautiful contribution to this genre. On 5 January 1791, Mozart noted its completion in his personal catalogue of works, and played the solo part himself at a private concert on 4 March, which was to be his last-ever performance. Mozart also used the theme of the Rondo in his song “Komm lieber Mai und mache”, surely one of his most famous melodies.
This Henle Urtext edition, available both as a study score and a piano reduction, was prepared by Mozart specialist Wolf-Dieter Seiffert and world-famous pianist Piotr Anderszewski (fingerings, lead-ins and embellishments), ensuring the highest standards. The cadenzas are by Mozart himself.
The new standard edition for K. 595!
降B大调协奏曲KV 595不仅在时间顺序上是莫扎特为钢琴和管弦乐队而作的一系列重要作品中的最后一首，它更是作曲家该体裁作品中最成熟甚至可能是最美的作品。莫扎特于1791年1月5日在自己亲手记录的作品目录中记下了此曲的完成，并于3月4日作为小提琴独奏者在一场私人音乐会上演奏了这部作品——这应是莫扎特的最后一次登台。这首协奏曲中的回旋曲主题也曾被莫扎特用在歌曲《来吧，亲爱的五月》中，无疑是莫扎特最广为人知的旋律之一。
我们此次出版的原作版乐谱——也包括学习版乐谱和钢琴缩谱——由莫扎特专家Wolf-Dieter Seiffert（编纂）和享誉世界的钢琴家皮奥特·安德塞夫斯基（指法、导入和装饰音）共同负责，保证了最高质量。乐谱中的华彩段落来自莫扎特本人。
这就是KV 595全新的标准版本！
