J·S·巴赫 A大调第四号羽管键琴协奏曲 BWV 1055 总谱 HN 7383
JOHANN SEBASTIAN BACH
Harpsichord Concerto no. 4 A major BWV 1055
Norbert Müllemann (Editor)
Maren Minuth (Editor)
Urtext Edition, Study score (pocket score), paperbound
HN 7383 · ISMN 979-0-2018-7383-1
Bach’s harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument - either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d’amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can’t get more authentic than this!
巴赫的一些大受欢迎的羽管键琴协奏曲其实都改编自为其他独奏乐器而作的协奏曲——小提琴协奏曲或某种木管乐器协奏曲。但我们并不清楚A大调协奏曲BWV 1055的前身是什么作品。它充满魅力的歌唱性的中间乐章无疑会让人联想到柔音双簧管。另一方面，认为其地道而富有演奏乐趣的羽管键琴部分从一开始就是为键盘乐器而作的，似乎也顺理成章。说到底，这些怀疑都无关紧要，因为谁会放弃这部令人难以抗拒的清新作品呢？A大调协奏曲的亨乐原作版乐谱不仅以作曲家总谱手稿为依据，还额外参考了一些原始单声部分谱，它们据信保留了巴赫当年亲自演奏此作品时的做法。这是最忠实于原作的做法！
