Bartók, Béla 贝拉·巴托克 Streichquartett Nr. 4 第四弦乐四重奏 HN 1424
BÉLA BARTÓK
Streichquartett Nr. 4
László Somfai (Herausgeber)
Zsombor Németh (Herausgeber)
Urtextausgabe, Stimmen, broschiert
In Zusammenarbeit mit Editio Musica Budapest Zeneműkiadó
HN 1424 · ISMN 979-0-2018-1424-7
Even before his String Quartet no. 3 appeared in print in 1929, Bartók was already working on a fourth in the summer of 1928. This five-movement work is arranged symmetrically around a highly expressive middle movement dominated by the cello, and calls for various playing techniques such as pizzicato glissandi and the famous “Bartók pizzicato” in which the string is snapped audibly against the fingerboard. Premiered to great success in London in February 1929, it was published in late 1929/early 1930 - however with so many errors that a revised edition of the score was issued already in 1932.
In their edition, László Somfai and Zsombor Németh have also consulted Bartók’s letters for interesting details about performing the work. These are given as footnotes in this Urtext edition. In addition, the “Notes on performance practice”, which are already obligatory in Henle’s Bartók editions, provide information on performing the Bartók pizzicato and on many other issues.
在巴托克的第3弦乐四重奏尚未于1929年出版时，他就已经在1928年夏天开始创作第4部四重奏。这部五乐章作品以由大提琴主导的极富表现力的第三乐章为中心对称展开，并要求使用多样的技法，比如拨弦滑奏以及著名的“巴托克拨弦”，应用该技法时可以听见琴弦撞击指板的声响。此曲于1929年2月在伦敦首演并大获成功，接着于1929年底或次年初出版——不过首版乐谱讹误甚多，遂有修订版总谱于1932年问世。
乐谱编者László Somfai和Zsombor Németh在考据时参考了巴托克的通信，其中含有很多演奏方面的有趣细节。亨乐原作版乐谱将这些内容呈现于脚注中。此外，本辑中巴托克系列乐谱必备的《演奏提示》则对巴托克拨弦的用法做了介绍，并解答了很多其它问题。
